These are the movies I rewatch when I want a girl who won't apologize for her chaos. Dark comedy vibes, a little theatrical, very dramatic. Swipe for fashion, fury, and theatrical meltdowns.
2022
Pearl (2022)
director: Ti West — origin story, small-town catastrophe
Tiny-town perfectionism gone horribly wrong. She wants stage lights and applause — and if the world doesn’t give it, she’ll burn the curtain. Diabolical and strangely sincere.
2014
Maleficent (2014)
director: Robert Stromberg — fairy-queen rage & redemption
She’s a fairy queen who perfected the cold stare. Revenge, wings, and fashion that slaps — Maleficent is villainy with impeccable eyeliner and a moral compass that does flips.
1976
Carrie (1976)
director: Brian De Palma — prom blood & telekinetic fury
Classic prom-night meltdown: repression + cruelty = physics-defying revenge. Pig blood forever a vibe. Tragic, cathartic, iconic.
2013
Carrie (2013)
director: Kimberly Peirce — modern rage reboot
She slays. Modern teen misery meets telekinesis and the internet-age humiliation spiral — glasses off, chaos on. Darkly satisfying and perfectly unchill.
2002
May (2002)
director: Lucky McKee — creepy, heartbreaking, stitched together
Friendship collage gone wrong: lonely surgeon energy and a craft project that becomes obsession. Creepy, heartbreaking, and quietly devastating (also very unsettling dolls).
1996
101 Dalmatians (1996)
director: Stephen Herek — Cruella de Vil, theatrical villainy
Glenn Close as Cruella is peak camp: fashion mania, big theatrical gestures, and unapologetic menace. She stole puppies and our hearts (in a dreadful, dramatic way).
